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While developing the film in their senior year, Bravo and David had the luxury of total creative autonomy, from the characters’ furrowed brows to the lovely score, by Spanish composer Arturo Cardelús, that accompanies the film. “We do want our films to be universal, but we know that because it’s animation it’s assumed that it’s for children. “But as leaders of children’s content, it’s really important for them to represent these people because not showing LGBT characters leads to a lot of internalized confusion as kids grow up.” “From a business standpoint, it makes sense why studios are afraid to portray LGBT characters, just because there’s still part of the population that’s not accepting,” Bravo said. “And big-name people are contacting us! That’s so crazy.”Īs for why the internet has lifted In a Heartbeat to viral status, the two surmise it has something to do with the dearth of same-sex love stories in animated films. “We’ve been answering emails and messages and phone calls both from people we’ve never met and also our friends and family,” said David, somewhat dumbfounded that an independently made short, conceived of at the small Sarasota college where they cut their film-making teeth, has found such an audience. The poster for In a Heartbeat Photograph: Esteban Bravo and Beth David “For two people making our first film, Beth and I are really excited that people have so deeply responded to it emotionally.” The pair have been equally taken aback by the messages, both curious and congratulatory, they’ve had to field.
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The two young film-makers, who grew up on the animated movies of Brad Bird, along with other turn-of-the-century classics like Finding Nemo, A Bug’s Life and Cat’s Don’t Dance, have been overwhelmed by the rapturous reception. Now, just 72 hours after In a Heartbeat was released, it’s already amassed over 12m views on YouTube. The two announced a Kickstarter campaign to raise money for the project last November, more than quadrupling their initial goal of $3,000 by raising over $14,000. But when it’s put in the context of LGBT characters, there were so many more layers to explore, and we could infuse the story with our own backgrounds.” It was the kind of story we wish we had seen as kids.”īravo, who’s 24 and now an animation intern at Blue Sky Studios (the company behind the Ice Age franchise), added: “It still makes sense when it’s a boy and a girl because that doesn’t mean someone wouldn’t be afraid to disclose their feelings. It wasn’t until Esteban and I decided to switch it to a same-sex crush that the film started to feel like a personal story that we were invested in. But initially it was about a boy and a girl. “It was her idea to show a person with their heart popping out of their chest, chasing down a crush. “A friend of ours was pitching ideas to us for potential projects,” David, 21, told me over the phone. When Bravo and David, both computer animation majors at Ringling College of Art and Design in Florida, started work on the film in January 2016, it wasn’t a gay romance. Of course, Sherwin’s reluctance is about so much more than being nervous to profess young love he’s also, as the film’s description says it, “at risk of being outed by his own heart”.
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His heart is, literally, jumping out of his chest when the object of his affection walks by, spinning an apple on his fingertips like a basketball, so Sherwin dashes behind a tree to try to contain it. In just about as long as it takes to microwave a cup of ramen noodles, Bravo and David’s film tells the sweet, intimate story of a boy named Sherwin, who has a crush on his classmate, Jonathan. In a Heartbeat, though, unmoored from the prudence of Hollywood studios, is far more explicit. The film has what director Bill Condon hyped up as a “nice, exclusively gay moment”: Josh Gad’s character, LeFou, shares a few-second dance with another man – which, for the optimist anticipating great strides from Disney, was a pretty insufficient form of progress. It also just happens to be about two boys, which despite the ascent of LGBT characters in film and television is still rarefied in animated or children’s cinema.Īlthough Pixar hasn’t yet shown a gay character in a feature film, there’s evidence of progress – albeit very slow progress – in this year’s Beauty and the Beast reboot. The short, called In a Heartbeat, is a simple yet enduring story, a heartwarming fable of young love and all the irrepressible butterflies that come with it.